Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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Augustyn Mirys
Portrait of Jan Klemens Branicki, Grand Hetman of the Crown

ID: 90343

Augustyn Mirys Portrait of Jan Klemens Branicki, Grand Hetman of the Crown
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Augustyn Mirys Portrait of Jan Klemens Branicki, Grand Hetman of the Crown


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Augustyn Mirys

(1700-1790) was a Polish painter.   Related Paintings of Augustyn Mirys :. | The Annunciation 55 | Martyrdom of Saint Ursula | St Bruno Examining a Drawing of the Baths of Diocletian Location of the Future Charterhouse of Rome (mk05) | A beggarly girl | Man in a Turban ds |
Related Artists:
Marie Bashkirtseff
(Russian: November 11, 1858 October 31, 1884) was a Ukrainian-born Russian diarist, painter and sculptor. Marie BashkirtseffBorn Maria Konstantinovna Bashkirtseva in Gavrontsy near Poltava, to a wealthy noble family, she grew up abroad, traveling with her mother across most of Europe. Educated privately, she studied painting in France at the Acad??mie Julian, one of the few establishments that accepted female students. The Acad??mie attracted young women from all over Europe and the United States. One fellow student was Louise Breslau who Marie viewed as her only rival. Marie would go on to produce a remarkable body of work in her short lifetime, the most famous being the portrait of Paris slum children titled The Meeting and In the Studio, (shown here) a portrait of her fellow artists at work. Unfortunately, a large number of Bashkirtseff's works were destroyed by the Nazis during World War II. From the age of 13, she began keeping a journal, and it is for this she is most famous. Her personal account of the struggles of women artists is documented in her published journals, which are a revealing story of the bourgeoisie. Titled, I Am the Most Interesting Book of All, her popular diary is still in print today. The diary was cited by an American contemporary, Mary MacLane, whose own shockingly confessional diary drew inspiration from Bashkirtseff's. Her letters, consisting of her correspondence with the writer Guy de Maupassant, were published in 1891. The grave of Marie BashkirtseffDying of tuberculosis at the age of 25, Bashkirtseff lived just long enough to become an intellectual powerhouse in Paris in the 1880s. A feminist, in 1881, using the nom de plume "Pauline Orrel," she wrote several articles for Hubertine Auclert's feminist newspaper, La Citoyenne. One of her famous quotes is: Let us love dogs, let us love only dogs! Men and cats are unworthy creatures.
Alexej Kondratjewitsch Sawrassow
Alexei Kondratyevich Savrasov (Russian) (May 24, 1830 - October 8, 1897) was a Russian landscape painter and creator of the lyrical landscape style. Savrasov was born into the family of a merchant. He began to draw early and in 1838 he enrolled as a student of professor Rabus at the Moscow School of Painting, Sculpture and Architecture (graduated in 1850), and immediately began to specialize in landscape painting. In 1852, he traveled to Ukraine. Then, in 1854 by the invitation of the Grand Duchess Maria Nikolayevna, President of the Imperial Academy of Arts, he moved to the neighborhood of St. Petersburg. In 1857, Savrasov became a teacher at the Moscow School of painting, sculpturing and architecture. His best disciples, Isaac Levitan and Konstantin Korovin, remembered their teacher with admiration and gratitude.
Wladyslaw Podkowinski
Polish Painter, 1866-1895 Polish painter and illustrator. In 1880-84 he studied in Warsaw at Wojciech Gerson's Drawing School. From 1884 he regularly contributed illustrations to leading Warsaw journals such as Tygodnik Ilustrowany and Wedrowiec. In 1885, accompanied by his fellow artist J?zef Pankiewicz, he went to St Petersburg and studied (1885-6) at the Academy of Fine Arts. Disappointed with the conservative teaching system and short of money, he returned to Warsaw in 1886 and in 1887 continued working regularly for Tygodnik Ilustrowany, becoming one of its most popular illustrators. He produced his first watercolours and oil paintings, much under the influence of Aleksander Gierymski, but continued to regard these as secondary activities until a stay in Paris in 1889, again in the company of Pankiewicz. Here, the experience of new French painting, especially that of Claude Monet shown at the Galerie Georges Petit, encouraged Podkowinski to attempt paintings in an Impressionist manner.






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